Stop the
scroll. Own the room.
ClipSmith Studios cuts the kind of video that holds a stranger for the full runtime - then makes them act. Watch the two-minute rundown before you scroll another inch.
Watch the 90-second breakdown
We don't decorate footage. We engineer the reason someone keeps watching.
Short form, long form, motion design and full sales videos - built around one question: what makes the next second unmissable? That's the whole craft, and it's the only metric we're graded on.
Proof, not
promises.
Four moves between raw footage and revenue.
The hook audit
We tear apart your first three seconds. Retention dies there, or it doesn't die at all.
Story architecture
Every cut earns the next one. Pacing, tension, payoff - mapped before a single frame is touched.
Craft pass
Motion design, sound, colour and type doing the heavy lifting your footage can't do alone.
Ship & iterate
Delivered in every aspect ratio you need, then tuned against real watch-time data.
Editors get hired. We get kept.
“Our retention graph stopped falling off a cliff. Same footage, completely different outcome.”
“They treat a 40-second short like a film. That obsession is why we stopped shopping around.”
“The VSL they cut for us is still our highest-converting asset eleven months later.”
“First cut landed in under two days and it was already better than our last agency's third revision.”
“The motion design gives our launches a scale we absolutely do not have in-house.”
“Every hook they write earns the next three seconds. That's the whole game and they get it.”
“Cost per acquisition dropped by a third on the same ad spend after the recut.”
“Clear feedback loops, no chasing. It feels like an in-house team that happens to be remote.”
“They found a story in our raw footage that we genuinely did not know was there.”
“Our retention graph stopped falling off a cliff. Same footage, completely different outcome.”
“They treat a 40-second short like a film. That obsession is why we stopped shopping around.”
“The VSL they cut for us is still our highest-converting asset eleven months later.”
“First cut landed in under two days and it was already better than our last agency's third revision.”
“The motion design gives our launches a scale we absolutely do not have in-house.”
“Every hook they write earns the next three seconds. That's the whole game and they get it.”
“Cost per acquisition dropped by a third on the same ad spend after the recut.”
“Clear feedback loops, no chasing. It feels like an in-house team that happens to be remote.”
“They found a story in our raw footage that we genuinely did not know was there.”